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[QUOTE=mariammal;187584][B]Document Described : [/B]Fashion Designing Question Paper, ISC Question Paper
[B]
FASHION DESIGNING
PAPER 1
(THEORY)[/B]
(Three hours)
(Candidates are allowed additional 15 minutes for only reading the paper.
They must NOT start writing during this time.)
Answer five questions, choosing at least two from Section A and two from Section B.
Use illustrations/sketches/diagrams wherever necessary.
All working, including rough work, should be done on the same sheet
as the rest of the answer.
The intended marks for questions are given in brackets [ ].

[URL]http://www.cisce.org/isc_XII_SpecimanQP_2012-13.html[/URL]
[URL]http://www.cisce.org/ISC%202013%20Specimen%20QP/Fashion%20Designing.pdf[/URL]

[B]SECTION A[/B]
Question 1
(a) Discuss any five reasons why it is important for students of Fashion
Designing to study ‘Textiles’. [10]
(b) How are textile fibres classified? [10]

Question 2
(a) State two differences between each of the following pairs: [12]
(i) Plain Weave and Twill Weave
(ii) Melt Spinning and Dry Spinning
(iii) Silk and Wool
(b) (i) What are the advantages and disadvantages of Satin Weave? [4]
(ii) Explain and differentiate between Woven and Non-Woven fabrics. [4]

Question 3
Write short notes on each of the following: [20]
(a) Felting
(b) Bonded fabrics
(c) Lace
(d) Macramé (knotting)

Question 4
(a) Discuss the significance of colour in India. [10]
(b) Explain how Mehendi is used to dye fabrics. [5]
(c) Write short notes on each of the following: [5]
(i) Mekhala Chaddar
(ii) Pochampali

[B]SECTION B[/B]
Question 5
What were the new inventions and innovations of fabrics and garments around the Edwardian period (1901-1920s)? [20]
Question 6
Describe the changing women’s silhouettes from the ‘Disco Decade’ to the
‘Punk Period’. [20]
Question 7
(a) Make sketches and write a short note on the salwar kameez of Kashmiri women. [10]
(b) Illustrate the sharara of Uttar Pradesh and using it as inspiration, design a contemporary one. [10]

Question 8
(a) Make sketches and write a short note on the Jodhpuri suit. [10]
(b) Give the differences between each of the following: [10]
(i) Sherwani and Aachkan.
(ii) Churidhar of Kutch and Churidhar of Aligarh.

[B]FASHION DESIGNING
PAPER 2
(PRACTICAL)
[/B](Three hours)
(Candidates are allowed additional 15 minutes for only reading the paper.
They must NOT start writing during this time.)
Answer Question 1 (Compulsory).
Attempt Question 2 and Question 3, selecting one of the two given options, in each question.
The intended marks for questions or parts of questions are given in brackets [ ].
  
Question 1
(i) Tie and dye the given 12"×12" sample of a white cotton/silk cloth in one colour, using two methods. [20]
(ii) Write the aim and the method used for the above process. [5]
(iii) Mention the materials and equipments required for the process. [5]

Question 2
Attempt any one of the following: [10]
(i) Fibre identification:
You are given two different textile fibres.
(a) State two tests for testing each of the given fibres.
(b) Write in detail the procedure adopted in conducting the tests and the
expected results.
(c) Identify the two given textile fibres, making use of the procedure written by you.
(d) Write your observations and conclusions.
(e) Show the confirmatory tests and their results to the Examiner.
OR
(ii) Repair work:
Write the procedure for repairing a hole in the given cloth material either by darning or by patchwork depending upon the size of the hole.
(a) Prepare the materials for patch work / darning of the hole in the given
cloth material.
(b) Start the repair work either by darning or patch work and give the
finishing touch.
(c) Iron and show it to the Examiner.

Question 3
Attempt any one of the following: [20]
(i) Using your creative ideas print the given sample using vegetables and leaves.
Show the finished sample to the Examiner.
OR
(ii) Do any two macramé knots using the given cards. The finished sample
should be between 2.5 to 3 inches in length and at least 1 inch in width.
Show the finished sample to the Examiner.[/QUOTE]

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